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Bassist Garry Tallent has been heckled by the Twittersphere. And self-described anti-Zionist Stanley Cohen, who has more than 20, Twitter followers, went after the Boss himself back in February. Was it all a lie?

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If you missed what is now considered a classic legendary Springsteen concert from years past and wondered what it would be like to have been there in person, well you are in luck Currently with 6 historic concerts in their repertoire, you can now take a trip to the past with Tramps Like Us. Tickets Here.

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Amazingly, as director Thom Zimny has revealed in several recent interviews, the decision to capture the performance for posterity was a last-minute one made by Bruce Springsteen shortly before filming commenced. Why did Bruce suddenly feel it necessary to add "Long Time Comin'" and its accompanying story about his father adding "a new end" to their relationship, a relationship dominated and publicly documented for so many years by distance, neglect, and emotional abuse? It's a question that especially intrigues me because both before and after Springsteen on Broadway was recorded in the summer, "Long Time Comin'" remained a live rarity, subbing in only for the relative handful just over 11 percent of shows for which Patti Scialfa was unable to attend.

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And yet, somehow, Springsteen makes it interesting. All the usual Big American Tropes are here: baseball, beer, high school as the height of life. As children, a boy and his sister project their imaginings into the rooms of the titular mansion, from which they can enjoy only the table scraps of music and distant laughter.

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The first thing Robert Smith does is apologise for the makeup. Sincethe sooty eyeliner, blood-smear lipstick and cobwebbed forest of hair have made him a human logo, transmuted, through the work of people such as Tim Burton and Neil Gaiman, into visual shorthand for the morbidly romantic. He looks like the Cure sound.

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It is in MINT condition. There are NO markings or words on the cover. Probably for legal reasons back in the day when Bootleg was, well Bootleg.

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Hi there. Column Ones for the Los Angeles Times. Two of my biggest loves are narrative journalism and music, and I'm lucky that my days are filled with both: When reading the stories, I get inspired by songs I think fit the article's theme — a soundtrack. Here are the Great Reads and some lowercase great reads of the past week, plus their soundtracks.

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As a rule, backing musicians have to be top-notch, the best in the world, but at the same time can never outshine whoever they're backing. These are undoubtedly pivotal moments in Springsteen's career, and yet they never allow themselves to be too assertive. This is still the Boss's game, after all.

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Let me start by saying that I do not hate Bruce Springsteen. I am, however, mostly indifferent toward and mildly annoyed by Bruce Springsteen. He has written a few good songs over his five-decade career, but his music is tedious, his persona inauthentic and his fans grating. Mostly, I'm someone who thinks we—as a nation, as a people—should have something better to talk about than a retirement-age rocker who was last relevant during the Reagan administration.

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